Great Morstaybishlia: Difference between revisions
Jump to navigation
Jump to search
Content added Content deleted
| Line 966: | Line 966: | ||
===Visual art=== |
===Visual art=== |
||
[[File:Ferdinand I, King of Romania, Prince of Hohenzollern-Sigmaringen.jpg|right|thumb|125px|Portrait of |
[[File:Ferdinand I, King of Romania, Prince of Hohenzollern-Sigmaringen.jpg|right|thumb|125px|''Portrait of [[Thadeus I|Thadeus I]]'', by Sir Alvin Gaskin-Bishops, 1916.]] |
||
[[File:Pinkie detailed.jpg|left|thumb|150px|Tommeigh Lawton, ''Divine Elf'', 1790.]] |
[[File:Pinkie detailed.jpg|left|thumb|150px|Tommeigh Lawton, ''Divine Elf'', 1790.]] |
||
Morstaybishlian art refers to all forms of visual art in or associated with the country, and encompasses Staynish art, Caltharusian art, South Staynish art and Justelvardic art. During the 18th century Morstaybishlia began to reclaim the leading place it had played in Auroran art during the Middle Ages, being especially strong in portraiture and landscape art. Increasing Morstaybishlian prosperity led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romantic period resulted from very diverse talents. The 20th century saw a great diversity of art, and a far bigger quantity created than before. |
Morstaybishlian art refers to all forms of visual art in or associated with the country, and encompasses Staynish art, Caltharusian art, South Staynish art and Justelvardic art. During the 18th century Morstaybishlia began to reclaim the leading place it had played in Auroran art during the Middle Ages, being especially strong in portraiture and landscape art. Increasing Morstaybishlian prosperity led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romantic period resulted from very diverse talents. The 20th century saw a great diversity of art, and a far bigger quantity created than before. |
||