Great Morstaybishlia: Difference between revisions

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The earliest Morstaybishlian literature dates from the early Middle Ages during the [[Staynes#Second Interregnum Period|Second Interregnum Period]], when what is now known as modern Staynes did not have a single, uniform language. There was several languages and dialects, and writers used their own spelling and grammar. During the Middle Staynish language period, most literature was written in the same language except for splinter dialects in what is now Horkalo and South Staynes.
 
Much medieval Staynish poetry and literature were inspired by the legends of [[Pip the Gallant]] and his predecessors in the [[Staynnica|Kingdom of Staynnica|Staynnica]]. Other medieval poetry and literature hailing from Caltharus depicts the legendary Colonarius and other historical military figures.
 
After the printing press was introduced in Caltharus and later Staynes in 1475, [[wikipedia:Vernacular literature|vernacular literature]] flourished. During this period, theatrical playwrights portrayed romances, tragedies, comedies and histories became very common. Morstaybishlian literature and poetry flourished even more in the 18th and 19th centuries where things like arts, sciences, languages and philosophy were very popular as well as children's fairy tales becoming widespread. The age of reason bought with it a rational and scientific approach to religious, social, political and economic issues that promoted a secular view of the world and a general sense of progress and perfectibility. Led by the philosophers who were inspired by the discoveries of the previous century they sought to discover and to act upon universally valid principles governing humanity, nature, and society. They variously attacked spiritual and scientific authority, dogmatism, intolerance, censorship, and economic and social restraints. They considered the state the proper and rational instrument of progress. The extreme rationalism and skepticism of the age led naturally to deism and also played a part in bringing the later reaction of romanticism.