Great Morstaybishlia: Difference between revisions
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===Visual art===
[[File:Ferdinand I, King of Romania, Prince of Hohenzollern-Sigmaringen.jpg|right|thumb|125px|Portrait of His Royal Emperor, High-King of Morstopackia [[Thadeus I|King Thadeus I]], by Sir Alvin Gaskin-Bishops, 1916.]]
[[File:Pinkie detailed.jpg|left|thumb|150px|Tommeigh Lawton, ''Divine Elf'', 1790.]]
Morstaybishlian art refers to all forms of visual art in or associated with the country, and encompasses Staynish art, Caltharusian art, South Staynish art and Justelvardic art. During the 18th century Morstaybishlia began to reclaim the leading place it had played in Auroran art during the Middle Ages, being especially strong in portraiture and landscape art. Increasing Morstaybishlian prosperity led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romantic period resulted from very diverse talents. The 20th century saw a great diversity of art, and a far bigger quantity created than before.
The training of artists, which had long been neglected, began to improve in the 18th century through government and private initiatives, and greatly expanded in the 19th century. Public exhibitions and the later opening of museums brought art to a wider public, especially in Sani Bursil. In the 19th century publicly displayed religious art once again became popular after a virtual absence for over a hundred years.
The Morstaybishlian contribution to early [[Wikipedia:Modernist art|Modernist art]] saw some of the most prolific artists appear after the [[Great War]], such as Sir Lucas Moraby and Everett Childs. Since the 1940s Morstaybishlian artists have made a considerable impact on [[Wikipedia:Contemporary art|Contemporary art]], especially with figurative work. [[Wikipedia:Neoclassicism|Neo-classicism]] has also seen a revival in the 20th and 21st centuries. Morstaybishlia remains a key centre of an increasingly globalized art world.
===Cinema===
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