Great Morstaybishlia: Difference between revisions

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===Music===
===Music===
[[File:12 Hole Ocarina.jpg|right|thumb|150px|The [[wikipedia:Ocarina|Ocarina]] originated from Morstaybishlia]]
[[File:12 Hole Ocarina.jpg|right|thumb|150px|The [[wikipedia:Ocarina|Ocarina]] originated from Morstaybishlia]]
Throughout its history, Great Morstaybishlian has been a major producer and source of musical creation, drawing its artistic basis from the history of Great Morstaybishlia.
Throughout its history, Great Morstaybishlia has been a major producer and source of musical creation, drawing its artistic basis from the wealth of music from many cultures across the four constituent countries.


Researchers have discovered archaeological evidence of musical instruments in many parts of Morstaybishlia. Some artifacts have been dated to 55,000 years old, while critics often dispute the findings. Consensus solidifying about artifacts dated back to around 27,000 years old and later. Artifacts made from durable materials, or constructed using durable methods, have been found to survive.
Each of the four countries of Great Morstaybishlia has its own diverse and distinctive folk music forms. Folk music flourished until the era of industrialisation when it began to be replaced by new forms of popular music, including music hall and brass bands. Realisation of this led to three folk revivals, one in the late-19th century, one in the mid-20th century and one at the start of the 21st century which keeps folk music as an important sub-culture within society.


Images of musical instruments begin to appear in Valerian artifacts in 3500 BC or earlier. Beginning around 3000 BC, Valerian (elven) culture began delineating two distinct classes of musical instruments due to division of labour and the evolving class system. Popular instruments, simple and playable by anyone, evolved differently from professional instruments whose development focused on effectiveness and skill. Only few examples from these time periods have been recovered. Even the process of assigning names to these instruments is challenging since there is no clear distinction among various instruments and the words used to describe them. Although Valerian artists mainly depicted ceremonial instruments, historians have distinguished that wind-based and string-based instruments were prominent in earlier Valerian society, creating [[Wikipedia:African harp|bow harps]], [[Wikiedpia:Harps|harps]] and [[Wikipedia:Lyres|lyres]], as well as [[Wikipedia:Paleolithic flutes|bone flutes]].
Forms of popular music, including folk music, jazz, rapping/hip hop, pop and rock music, have particularly flourished in Great Morstaybishlia since the twentieth century. Morstaybishlia has influenced popular music disproportionately to its size, due to its linguistic and cultural links with many countries, particularly Peregrinia and Emberwood Coast and many of its former colonies, and its capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. In the early-20th century, influences from Peregrinia and Free Pacific States became most dominant in popular music, with young performers producing their own versions of South East Yasterian music, including rock n' roll from the late 1950s and developing a parallel music scene. This is particularly true since the early 1960s when the Morstaybishlian Invasion, led by The Swallows, helped to secure Morst performers a major place in development of pop and rock music. Since then, rock music and popular music contributed to a Morst-SEY collaboration, with genres being exchanged and exported to one another, where they tended to be adapted and turned into new movements, only to be exported back again. Genres originating in or radically developed by Morstaybishlian musicians include blues rock, heavy metal, progressive rock, ska, hard rock, punk rock, Bhangra, Morst folk rock, folk punk, acid jazz, trip hop, shoegaze, drum and bass, goth rock, grime, afroswing, Morstpop, Industrial and dubstep.

During the period of time loosely referred to as the Middle Ages, Staynes and Caltharus developed their own traditions of integrating musical influence from other regions. The first record of this type of influence is in 401 CE, when Staynes (then the second Maltervenian Empire) established an orchestra in its royal court after a conquest in the Kingdom of Corstania. Influences from other Auroran cultures, as well as Yasterian, Arcturian, and other regions followed. In fact, early northern Auroran musical tradition attributes many musical instruments from this period to those regions. Pianos became widely popular after its invention in Ethalria, along with more advanced trumpets, clarinets, flutes, drums, lutes, oboes and cymbals.

Each of the four countries of Great Morstaybishlia has its own diverse and distinctive folk music forms. Folk music has existed here since antiquity, and flourished until the era of industrialisation when it began to be replaced by new forms of popular music, including music hall and brass bands. Realisation of this led to academics and amateur scholars taking note of the musical traditions being lost, and over three waves, one in the late-19th century, one in the mid-20th century and one at the start of the 21st century; initiated various efforts to preserve the music of the people. The most notable effort involved was the collection of the texts of over three hundred [[Wikipedia:Ballads|ballads]] in the Staynish and Calth traditions, by Alemin Thompson-Fisher (called the Thompson-Fisher Ballads), some of which predate the 15th century. Valerian folklore, which had been a lifeline to their pre-Morstaybishlian kingdom before the 13th century, was widely lost in the industrial revolution, though scholars and amateur scholars preserved many of the vanishing ballads and folk dance songs. Valerian folklore has a revivalist movement which began in the mid 20th century. Overall, folk music as an important sub-culture within Morstaybishlian society.

Forms of popular music, including folk music, jazz, rapping/hip hop, pop and rock music, have particularly flourished in Great Morstaybishlia since the twentieth century. Morstaybishlia has had a large influence on popular music due to its size, and due to its linguistic and cultural links with many countries, particularly Peregrinia and Emberwood Coast and many of its former colonies, and its capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. In the early-20th century, influences from Peregrinia and Free Pacific States became most dominant in popular music, with young performers producing their own versions of South East Yasterian music, including rock n' roll from the late 1950s and developing a parallel music scene. This is particularly true since the early 1960s when the Morstaybishlian Invasion, led by The Swallows, helped to secure Morst performers a major place in development of pop and rock music. Since then, rock music and popular music contributed to a Morst-SEY collaboration, with genres being exchanged and exported to one another, where they tended to be adapted and turned into new movements, only to be exported back again. Genres originating in or radically developed by Morstaybishlian musicians include blues rock, heavy metal, progressive rock, ska, hard rock, punk rock, Bhangra, Morst folk rock, folk punk, acid jazz, trip hop, shoegaze, drum and bass, goth rock, grime, gondoswing, Morstpop, Industrial and dubstep.


===Visual art===
===Visual art===