Nystapi People: Difference between revisions

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After and during Niväk, habitation reflected their abandoning of nomadic way of life but not fully taking in Blåskovian housing styles with their walled off houses. Nystapi housing took inspiration of Akuanists from the southern regions and Lapérousian style in addition to taking in Blåskovian more individualistic architecture style. Examples of Blåskovian adaption to Nystapi housing, was use of rugs and blankets as curtains on windows that been decorated with religious symbols to have the spirits keep the cold out. Fireplaces still was in the center of the house, but it was more formal and made from brick rather than digging a pit. Apartments are still seen as preferred housing compared to single family detached housing, this includes rural areas and farmhouses. The 'Nouvelle Ferme Côtois' painting made in 1989 inspired a new wave of neo-gothic rural architecture, which was able to both capture the religious requirements for Nystapi people and be able to house multiple families in one unit of housing. The painting in addition to its inspiration of Nystapi culture, it was a reflection of Nystapi adaption of Blåskovian culture by using it as a focus point to build off of as it include Blåskovian desire to show off one family's wealth over another but only in name. As Côtoise neo-gothic architecture are built with collectivistic nature in mind, meaning multiple families could comfortably live in a single unit usually three to four families and could other rooms could be easily used for other purposes such as tool storage or jar preservation. The 'tower' part of the house, being used for shrine and the storage room for the record book for the families.

After Niväk but before the Nystapi renaissance of the 1970s, housing for Nystapi used more Blåskovian building materials but used Akuan building methods, as a way to save nails. Resulting in most Nystapi building rarely, if ever using nails in its creation and using more wooden joints to assemble housing complexes. The creation of 'Nystapi' style housing became a small fad in the 1950s to 1960s for Blåskovian nobles who wanted to use the style of buildings as summer cottages.

After Niväk but before the Nystapi renaissance of the 1970s, housing for Nystapi used more Blåskovian building materials but used Akuan building methods, as a way to save nails. Resulting in most Nystapi building rarely, if ever using nails in its creation and using more wooden joints to assemble housing complexes. The creation of 'Nystapi' style housing became a small fad in the 1950s to 1960s for Blåskovian nobles who wanted to use the style of buildings as summer cottages. Nystapi housing and buildings still follow Akuan customs, to soothe the spirits, despite appearance of it being more Blåskovian and Côtois in design. Examples being the bathroom being the closest room to the entrance-way, which itself, has a small pit for shoes and flooring being heated.

=== Nystapi Handicraft ===

Nystapi handicraft or referred in [[Nys'tat'en]] as Nioka, before Niväk was the religious belief that object should always serve a purpose, and decorative objects shouldn't be a factor in their creation. Nioka has its originates rooted in nomadic lifestyle of Nystapi, before Z'rei and viking colonization efforts. Majority of tools were crafted from reindeer reminds, such as bones and leather, to make all manner of things such as clothing, baskets and knives. After-Niväk, the concept of a Nioka changed to make Nioka still primarily functional but started to feature more religious iconify, brands of the community where the tools was made and

[[Category:Cowlass]]

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 After and during Niväk, habitation reflected their abandoning of nomadic way of life but not fully taking in Blåskovian housing styles with their walled off houses. Nystapi housing took inspiration of Akuanists from the southern regions and Lapérousian style in addition to taking in Blåskovian more individualistic architecture style. Examples of Blåskovian adaption to Nystapi housing, was use of rugs and blankets as curtains on windows that been decorated with religious symbols to have the spirits keep the cold out. Fireplaces still was in the center of the house, but it was more formal and made from brick rather than digging a pit. Apartments are still seen as preferred housing compared to single family detached housing, this includes rural areas and farmhouses. The 'Nouvelle Ferme Côtois' painting made in 1989 inspired a new wave of neo-gothic rural architecture, which was able to both capture the religious requirements for Nystapi people and be able to house multiple families in one unit of housing. The painting in addition to its inspiration of Nystapi culture, it was a reflection of Nystapi adaption of Blåskovian culture by using it as a focus point to build off of as it include Blåskovian desire to show off one family's wealth over another but only in name. As Côtoise neo-gothic architecture are built with collectivistic nature in mind, meaning multiple families could comfortably live in a single unit usually three to four families and could other rooms could be easily used for other purposes such as tool storage or jar preservation. The 'tower' part of the house, being used for shrine and the storage room for the record book for the families.
-After Niväk but before the Nystapi renaissance of the 1970s, housing for Nystapi used more Blåskovian building materials but used Akuan building methods, as a way to save nails. Resulting in most Nystapi building rarely, if ever using nails in its creation and using more wooden joints to assemble housing complexes. The creation of 'Nystapi' style housing became a small fad in the 1950s to 1960s for Blåskovian nobles who wanted to use the style of buildings as summer cottages.
+After Niväk but before the Nystapi renaissance of the 1970s, housing for Nystapi used more Blåskovian building materials but used Akuan building methods, as a way to save nails. Resulting in most Nystapi building rarely, if ever using nails in its creation and using more wooden joints to assemble housing complexes. The creation of 'Nystapi' style housing became a small fad in the 1950s to 1960s for Blåskovian nobles who wanted to use the style of buildings as summer cottages. Nystapi housing and buildings still follow Akuan customs, to soothe the spirits, despite appearance of it being more Blåskovian and Côtois in design. Examples being the bathroom being the closest room to the entrance-way, which itself, has a small pit for shoes and flooring being heated.
+=== Nystapi Handicraft ===
+Nystapi handicraft or referred in [[Nys'tat'en]] as Nioka, before Niväk was the religious belief that object should always serve a purpose, and decorative objects shouldn't be a factor in their creation. Nioka has its originates rooted in nomadic lifestyle of Nystapi, before Z'rei and viking colonization efforts. Majority of tools were crafted from reindeer reminds, such as bones and leather, to make all manner of things such as clothing, baskets and knives. After-Niväk, the concept of a Nioka changed to make Nioka still primarily functional but started to feature more religious iconify, brands of the community where the tools was made and
 [[Category:Cowlass]]

Nystapi People: Difference between revisions

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