|
|
|
The arriving Cryrians adopted this practice from the Talveri. Cryrian nobility frequently intermarried with their local counterparts and Talveri art and artists were highly sought after. Under Cryrian influences, Vihreäätaidetta moved away from its original roots in order to depict imagery from both Cryrian legend and everyday life. Cryrian aristocrats often commissioned skilled craftspeople to construct and maintain gardens that reflected their households' rank and deeds.
DespiteConflicts within the laterKingdom eliminationsaw the burning of Mlythlaismmany Talveri religious gardens by the Cryrian Church in what became known as the KingdomCinder Inquisition. Despite this, Vihreäätaidetta persists as an important artistic style in modern Cryria. The Order of Royal Gardeners is now a part of the Household Ministry, and continues to maintain gardens on royal premises. The Order is considered to be the official authority on the art form and also runs a number of public competitions and cermonies for artists. It's website states that:{{quote|Vihreäätaidetta is first and foremost a form of sustained storytelling where scenes from myth and mortality are metaphorically and literally given new life through the artist's creations.}} The Marchingmaintenance Gardensof a project is itself a continuation of Oshombranthat werestory.}}Vihreäätaidetta firsthas openedalso tobecome thean generalincreasingly common part of public spaces in 1893Cryria, andparticularly as formerly private gardens are generallyopened to visitors. The Marching Gardens of Oshombran are considered to be the oldestmost and finestimportant surviving example of Vihreäätaidetta and were first opened in 1893.
=== Whaling ===
|
